Williams Stuff...
Comments on Delta Nine's "A
Delta Nine XMAS".
| Personnel Listings and Identity Codes: |
Mark Duncan: guitar, guitar synth -- MD
Josh Lander: percussion -- JL
Donnie Morton: alto sax -- DM
Ron Orr: bass guitar, a vocal -- RO
Dan Taylor: bass guitar, no vocal -- DT
Greg Walker: drumkit -- GW
Dave Williams: vocals & noises -- DW |
(1): Miss Berkinstock - 5.26
(Duncan / Williams) + MD. RO, GW, DW
The music goes back to Duncan's days in the band Marajade (1990 - 1992).
This particular version finds us in the studio, goofing off. The lyrics,
which were half-written and half-improvised, contain some of the most
misogynistic bullshit ever recorded AND ARE NOT TO BE USED AS AN ENDORSEMENT
FOR MALE SPECIMEN BEHAVIOUR, okay ? What the hell was I thinking ? The
impersonation of genius / comedian Bobcat Goldtwaite going bonkers at
the drive-thru of a Hardees restaurant (4.07 - 4.35), however, is meant
as a friendly tribute and thank you for years of laughter.
(2): What's Real - 4.12 (Duncan
/ Williams) + MD, RO. GW, DW
Basic track recorded live in the studio with backing vocals(by Williams
and Duncan) and extra guitar work (by Duncan) added later. The lyrics
are radically different than the lyrics that appear on "Retrospective:
Small Time Band." I have no clue as to what the words mean but they're
pretty good. I remember going in to sing backing vocals with Duncan and
having to write the lyrics down because I'd forgotten them. I was surprised.
In a perfect world this would have been a Top 10 single.
(3): Dive - 6.31 (Duncan /
Taylor / Williams) + MD, DT, GW, DW
This allows YOU, the listener / reader, a chance to peek inside the collective
"creative process" and listen to how a song gets put together. This was
one of the many pieces of music that we were working on when D9 broke
up and, sadly, never got around to performing live. Consider this song
as a rough draft. The lyrics are about a tidal wave that washes over our
planet, taking everyone with it. Global extermination before the movies
"Deep Impact" and "Armageddon." Also note the quick Tool reference who,
besides being a great band, were a huge influence on us during this time.
(4): See You At The Mall (Version
2.0) - 7.57 (Duncan / Williams) + MD, JL, RO, GW, DW
Another rehearsal tape, live with no overdubs. The vocals on this
track are pretty much inaudible. The version on "Retrospective: Small
Time Band" is, in my opinion, better because of the recording quality
and the shorter length (3.48). However, this particular version is also
worthy of inclusion because it has a good groove and features some good
guitar work from Duncan.
| (5): Slackertown - 23.03
(Duncan, Taylor, Walker, Williams) + MD, DT, GW, DW |
| |
(a): Slackertown (0.00 - 5.00)
(b): The Cross And The Crow (5.01 - 7.51)
(c): Daylight In Sewanee (7.52 - 13.44)
(d): This Love Has Brought Nothing But Pain (13.45 - 14.52)
(e): A Portal Thru Which We Can All Travel (14.53 - 17.50)
(f): Fat Broken Haloes (17.50 - 23.03) |
When Dan Taylor replaced Ron Orr
on bass guitar, he brought a sense of much-needed musical confidence and
creativity that had been missing. This allowed Dan, Greg, and Mark the
freedom to improvise to their heart's content, resulting in some very
adventurous (albiet non-vocal) music that you're reading about, listening
to, or both. Duncan or Taylor would come up with the music. My job, as
Vocalist and Wordsmith, would be to rummage through my notebook and try
to find something that would fit. Sometimes it was hard work while other
times it was incredibly effortless. The words to "Slackertown," "What's
Real" (both versions) and "Helios In Cosmic Tundra" are examples of lyrics
that were never finished -- they continued to change and evolve during
my time with Delta 9. The lyrics, in question, are about the political
apathy that has resided for years at Western Carolina University, a college
that I graduated from in 1996.
(6): For Your Protection -
3.07 (Duncan / Williams) + MD, JL, RO, GW, DW
Live rehearsal, no overdubs, with Josh Lander on metallic percussion.
A song for yet another reciprocable love. The burping at the beginning
is courtesy of a micro - brewery in Stuttgart
(7): ObliviOnward (version
1.0) - 4.54 (Taylor, Duncan, Williams)
Another great collaboration with Taylor (who plays a bass guitar solo
near the end). There's another version of this song that was originally
released as a bonus track for "Patriot" by Nuclear Apathy (which was Mark,
Greg, and I ) which is better suited for the FCC and FM Radio play. One
of my favorites. The lyrics describe the general senseless direction of
current Corporate Amerika. Yes, that's right, another live recording with
no studio trickery involved.
(8): Shit Estate - 6.46 (Duncan,
Williams, Walker) + MD, RO, GW, DW
It was about this time that Delta 9 was ceasing to be fun and starting
to feel more like Joint Effort Mach II. Joint Effort existed between 1990
and 1993 and consisted of Ron, Josh, myself, and whoever we could con
into playing bass or electric guitar. I came to the conclusion that nothing
was going to change as long as Ron and his wife Laura were in the group
and that the ever-increasing kowtowing to their sensibilities was ceasing
any sort of thing resembling a musical evolution. Needless to say, I was
really depressed. This song was written about said events and came tumbling
out during an improvisation in the studio. This is the live basic track.
(9): Rainbow Flag - 3.35 (Duncan
/ Williams) + MD, RO, GW, DW
Because of the title, a lot of people assume that the lyrics are instantly
homophobic ... and this is before they've even had the chance to listen
to the words of the fucking song !!! The words ARE NOT HOMOPHOBIC, okay
? They're about Political Correctness as a form of subconscious mind control.
If you can be told what to say then, it follows, you can also be told
what to THINK. And you can take that any way you want. This is a shorter,
more radio-friendly version than the mondo 25-minute version that appears
on "Retreospective: Small Time Band." Speaking of small time bands ...
(10): Small Time Band (live)
- 6.30 (Duncan / Williams) + MD, JL, DM, RO, DW, GW
This finds Delta 9 live at Bailey's (a now-defunct club), just as
they were hauling out the big screen TV so that the local sports fans
could have their Monday Night Football. As usual, we were background music
that 98% of the people in attendance simply didn't want to hear. Hence
the onstage phlegm. This song is dedicated to Donnie Morton, our alto
saxophonist, who died a few years after Delta 9 broke up. It's been said
about Donnie that, in his formative years, he was an awesome Jazz musician,
capable of holding his own with the likes of Sonny Rollins and Ornette
Coleman, and I don't doubt this for a second. I only wish that, when he
was in Delta 9, that he could have favored us with some of his genius,
talent, and creativity. It could have done wonders for some of these songs.
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